My family has about a fifteen minute drive to church. It’s a scenic drive that includes farm fields contoured to the rolling hillsides, thick woodlands, and a small town. Often as my family loads into our car, the bells of a nearby church sound out through the southern Pennsylvania countryside. It’s not our church, but I still enjoy hearing those bells—the ancient call for the community to worship their Creator, Lord, and Savior.

I recently read a blog post by Pastor Tom Brennan titled, “How to Write a Book.” I’ve read two of his books and have been impressed by both the content and quality, so I knew his insight here would be valuable. A point he made in the post that caught my attention was this:

Only write a book if you have read at least twenty-five books on similar subjects.

I agreed, but then I wondered if I had read that amount for my two (almost three) fiction books. I realize nonfiction study is different from researching a novel, but still I think it’s a good standard to hold myself to. Had I done that though?

I’m not sure about everyone else, but for me it’s easy to be pulled into investing in shiny new tools when learning a skill.

When I picked up running, I heard about all the gadgets: smart watches, GPS, pricey shoes, running shirts, running shorts, head bands, wrist bands, armbands for your phone, apps for your phone, app subscriptions, virtual running coaches, and many more. Where do you start?

I’ve found writing to be the same. There are computer programs to write your first draft and others for editing; there are spelling/grammar checkers and analyzers that give you metrics for the whole manuscript (overused words, redundancies, glue words, etc.). But don’t forget about the research, plotting, and planning stages, each having their own array of tools you can choose from.

Continued from Part 1

I sat on a church pew one Saturday morning watching my children practice their Christmas program. It was going to last almost two hours, and I didn’t have anything except a notebook to occupy my mind.

Three days earlier, I had finished planning my first novel, but other than about thirty pages of notes, I hadn’t yet written anything. I wanted to write it, but I needed something to propel me into the actual first draft.

To my brother—
Adam Murdock
#42

In March, my youngest brother, Adam, died in a car accident on his way home from work. I could never describe the feelings in a few words posted on the internet, nor would I want to.

The first draft of The Lord of Luserna was two days from completion when everything happened. Instead of writing a few pages for a novel, I wrote an obituary.

How did I find myself writing a story about Renaissance-era religious dissenters?

Since I can remember, I’ve had a love of geography. Some of my first memories were from watching the 1990 animated movie, The Rescuers Down Under. There’s a short scene where the heroes relay an important message from New York City to Australia. The camera zooms out to show a map and how a telegraph message went from point to point, halfway around the globe. I would have my Fisher Price globe with me and would trace my finger across the places where that message landed.

“A trailer for a book? Really?”

Trailers for movies have been around for a long time, but it wasn’t until video distribution became simple in the mid-2000’s (especially in the advent of YouTube) that book trailers came into existence.

For Heretics of Piedmont, I read from multiple sources that a trailer is helpful, but not totally necessary. I didn’t pursue it until just before that book’s release in September 2021. Video production is not at all something I was comfortable with, so I scoured Fiverr for a seller who could develop in a style I liked.

Folk stories and songs shape culture. What would the United States be without Davy Crocket and Daniel Boone, England without Robin Hood, Scotland without William Wallace, or France without Joan of Arc? They embody the national spirit and provide legends passed down from parents to children through the generations.

During my ongoing study of the Waldensians, it’s easy to get bogged down in historical dates, names, and places, but miss the intricacies of daily life. They were (and are) a people with a name and even their own language. Yes, they have a written history dispersed across a few dozen books, pamphlets, and tracts. But the Waldensians also have songs, legends, myths, and poems—the kinds of culture parents teach their children and that have survived intact through centuries of oppression.

Every so often in history, it seems everything happened at once. A recent example future historians may evaluate is the rapid downfall of colonial empires from the end of World War II until the 1960’s. Further back was the period of national revolutions beginning with the American Revolutionary War and ending with the Napoleonic Wars.

Build Up

The most interesting to me, however, is the “explosion” of Bibles in the early modern period. Before the sixteenth century, the Bible—both Old and New Testaments—were inaccessible to most people. The Latin Vulgate was the most extant version, but few except for the Roman Catholic clergy could read it. Translations existed in English, French, German, etc., but they were not published or distributed to commoners, and thus are mostly lost to history. Everything changed, though, with a series of events starting in 1452.

Did you know the Waldensians had their own translation of the Bible? It was probably translated from an Old Latin version (often called the Vetus Latina, not to be confused with Jerome’s Latin Vulgate) into Old Occitan (also called Romaunt or Provençal over 1,000 years ago.

In Heretics of Piedmont and its sequel (whose name is yet to be revealed), I wanted to add a couple places where the Waldensians quoted or read from the Bible in their native tongue. I mentioned the book, The Romaunt Version of the Gospel according to St John, in the Selected Bibliography section of Heretics of Piedmont, which ended up being an incredible resource for understanding the Occitan Bible. The author, William Gilly, transcribed the entirety of John’s Gospel from the original parchment manuscript into easily consumed text.