Part way into writing Heretics of Piedmont I found myself typing the phrase: “after a few minutes.” I paused, shut my eyes, and doubts entered my mind. That wasn’t the first time I had used a phrase like that, but it felt like I should check into it.

Heretics of Piedmont is set in the 15th century—1458 to be precise. Did people even think in minutes and seconds then? Did numerical time-of-day exist in the common person’s mind? After some study, I found that most people—especially those outside the major cities—only thought of time in relation to the sun’s position in the sky.

Almost twenty-one years ago, Caitlin Mirela entered our lives. Now, that may sound odd to those of you who know her, because her twenty-first birthday was over seven months prior to me writing this post. But there are a few of us out there who remember November 1 just as easily as her March birthday.

First, let me step back a few years. In about 1997, my parents chose to begin the foreign adoption journey. I was ten or eleven-years-old when the adoption agency interviewed my parents in Grand Rapids, Michigan. Some months afterwards, a social worker interviewed our whole family to see if we were fit to adopt a little girl. Early on, my parents chose to seek adoption for one infant girl from Romania; they’d already picked her name too—Jaci. After we were approved, we just had to wait for a specific referral from the agency.

Where I live in Pennsylvania, the old adage of “a pizza shop on every corner” almost applies. Many of the national chains are here (Pizza Hut, Domino’s, Little Caesars, Papa John’s), but local shops flourish even more. Those local shops all serve New York style, and you should expect to hear Italian spoken while they toss the dough.

My family loves pizza, to the point of eating it nearly every Friday—in the twelve years Andrea and I have lived in this part of the country, we’ve built plenty of memories around these places too. For a while, I’ve wanted to compile some of the thoughts and memories we’ve had: nothing profound, but all things I’ve observed and pondered.

The last few pages in Heretics of Piedmont, after the story and epilogue, are acknowledgments. I am very thankful for those who supported me through my first writing journey. You can read those pages for yourself, so I’ll refrain from reiterating them here. I want to give special attention to my wife, Andrea.

A few years ago, I remember her asking me a question: “What’s one of your dreams you’d like to see come true.”

No … but I imagine that answer lacks sufficient explanation.

This article is my opinion based on my education and recent research, yet it’s far from scholarly. I do, however, want to explain my conclusion as one who has thoroughly enjoyed studying about the Waldensians: a historic, dissenting branch of Christianity predating the Protestant Reformation by at least 400 years. They are also the subject of my novel, Heretics of Piedmont, the first part in a series I have titled Witnesses of the Light.

I admit it—I’ve cried during a movie. And it’s hard to say that. I grew up proud of being unemotional; in fact, I would say I’m still pretty restrained. Yet, a few years back as a 30-year-old man, I actually shed a few tears while watching a film. No, it’s worse than that: it was during a documentary—and not the kind you would first imagine.

My wife, Andrea, and I were watching BBC’s Planet Earth II. Yeah, you read that right: Planet Earth. It was towards the end of the first episode, Islands. It wasn’t about cuddly dogs or majestic eagles; it was penguins. Let me explain.

Have you ever read a story—whether a novel or a children’s book—where you rolled your eyes at the unbelievable? In fantasy and fairy tales, we expect to encounter extraordinary or even absurd characters, people, and settings. That expectation allows you to continue on and enjoy the story despite the fiction. But if we experience a contrived plot or unfactual statement, no matter the genre, we feel cheated and deflated.

I would say the genre of Heretics of Piedmont, historical fiction, has a similar but deeper challenge. Very little has been written about fifteenth century Waldensians. What accounts exist are described in, at most, a few vague paragraphs. I admit, I was deliberate in choosing that century versus the later ones; we have many more vivid accounts in the 16th and 17th centuries. Historical details of men such as Joshua Janavel or events like the Piedmontese Easter are easy to find. The preceding periods of Waldensian history are spotty and mostly from their papal enemies.

We are in an age of endless information—one might even argue too much information. Not only can we find a diagram illustrating the Pythagorean theorem in seconds by reaching into our pocket and tapping a glass pane a few times, but we also know minute life details of our friends, acquaintances, and strangers around the earth. For most of us, information is both easy to access and readily available.

I decided to write Heretics of Piedmont in the fall of 2020. This was a time when the United States, after a lull in restrictions during the summer, began to lock down again. However, to write the novel, I needed information—lots of it.

Romans 12:3-8

In December 1958, (a few months before Mt. Zion Baptist Church of Brogue, Pennsylvania was founded), Leonard Read published a short essay in a magazine called The Freeman that made this assertion: no single person on the face of the earth knows how to make a pencil. He wrote the essay, I Pencil, to illustrate the futility of a planned economy and the power of a free market. Though this is not about economics, I see an interesting parallel with a letter written almost 2,000 years before I, Pencil.

Modern society, perhaps more than ever, drives us to consume. We consume products then dispose of them when they become outdated. We absorb all that our phones, computers, Alexa’s, and streaming service demands. Though some of us may spend less time consuming than others, we still devour food, media, and words daily.

And what of our relationship with God? We can sit under preaching three times per week. We read and prayerfully consider the Bible, which of course is all good. But I argue that just as we consume, we also ought to create.